“Maybe three months until you start showing symptoms, if that. From there, it’s rapidly downhill. Bedridden in six months. Your type of malignancy has a survival rate of about five percent at a year. There are always miracles, of course.”
“Sorrow sometimes teach a lesson well,
And I know that good can come from bad
So let’s look into that morning Star
‘Cause you know just who you are…”
“Do you want to talk about it?” Llewellyn inquires softly. She has been sitting patiently, while I absorb the implications of a lifetime.
Llewellyn gazes at me quizzically. “I just composed the first line of Ulysses,” I explain.
Llewellyn’s job is to sort and search these files, divining interconnections between them and leading the mouse pointer to the likeliest prospects. It is an inexact science, to say the least-but, with history to corroborate recollections of notable avatars, it is actually less so than, say, psychology, in which my past-life regression therapist holds a distinguished Ph.d.
The chapel/dance floor is mostly deserted, as the action/services here are a strictly nighttime affair, but the Holy DJ is installed behind the Eternal Turntables, spinning the electronic hymns of the faith, and five or six psychedelic dervishes are still furiously contorting their way to dance enlightenment, with and without glowsticks, before him. Holoprojectors cast animated abstractions on every crevice of every wall, and multicolored lasers pierce the thick cloud of haze emitting from what I presume is the Sacred Smoke Machine.
Is it the story of a girl having flashes from her past life?
…or a writer imagining his future destiny?
Is the girl insane? Is the writer vain?